Performing with bandmates Stewart Copeland and Andy Summers before 70,000 delirious fans* at a giant municipal sports stadium, Sumner -- aka Sting -- decided he'd reached the summit of his professional life. He was not yet 32 years old.
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| Summers, Sting and Copeland on their terminal world tour |
The date: August 18, 1983. The place: Shea Stadium in the New York City neighborhood of Flushing, Queens, home of Major League Baseball's New York Mets and the National Football League's New York Jets, both of whom were irrelevant to The Police.
Two months into a planned 10-month, 107-date world tour, the band's one-night stand at Shea was part performance, part pilgrimage and part homage to The Beatles, who'd famously played there 28 years earlier.
"We'd like to thank the Beatles for lending us their stadium," Sting said from the stage.
The Beatles. The Fab Four. Simultaneously the best and most popular rock or pop group of their era, they'd split up 13 years earlier. While many groups and artists had since attained and held the world's attention -- the Rolling Stones, the Who, Bruce Springsteen, the Bee Gees, Michael Jackson with and without his siblings, Diana Ross and the Supremes and the Beach Boys to name a few -- none had yet shown the chart-dominating staying power of those cheeky lads from Liverpool, England.
Enter the London-birthed Police, a trio featuring the charismatic front man Sting on lead vocals and bass, Summers on guitar and Copeland on drums. Their first four albums had produced a string of hits including Roxanne, Can't Stand Losing You, Don't Stand So Close to Me and Every Little Thing She Does is Magic.
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| A 7-inch plastic piece of rock history |
All of that paled in comparison to what came next: Synchronicity, a 10-song LP full of jukebox hits: Synchronicity II, King of Pain, Wrapped Around Your Finger and the omnipresent smash Every Breath You Take.
Conceptualized by psychologist Carl Jung and amplified by author Arthur Koestler's The Roots of Coincidence, Synchronicity was the notion that sometimes things happening at the same moment appear to be related events even if there's no causal connection between them.
Conceptualized by psychologist Carl Jung and amplified by author Arthur Koestler's The Roots of Coincidence, Synchronicity was the notion that sometimes things happening at the same moment appear to be related events even if there's no causal connection between them.
Every Breath You Take was everyone's simultaneous event, it's creepy stalker lyrics set against an utterly irresistible beat. The biggest hit single of 1983, it spent eight weeks atop the Billboard Hot 100. And that was just in the US. It also topped the charts in Canada, Ireland and South Africa, reached number 2 in Australia, Norway and Sweden, number 3 in France, Spain, Italy and the Netherlands and copped the Grammy Award for song of the year. King of Pain quickly followed it up the charts, reaching number three.
In between those events, The Police headlined at Shea. Opening for them were Joan Jett and the Blackhearts. Opening for her was a little-known band out of Athens, Georgia, that had cut just a single album titled Murmur. They were R.E.M., and amid late afternoon drizzle that summer day, the big, echoey concrete and steel ballpark in Queens swallowed them up.
In between those events, The Police headlined at Shea. Opening for them were Joan Jett and the Blackhearts. Opening for her was a little-known band out of Athens, Georgia, that had cut just a single album titled Murmur. They were R.E.M., and amid late afternoon drizzle that summer day, the big, echoey concrete and steel ballpark in Queens swallowed them up.
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| A band in a box: Sting, Copeland and Summers from the '83 tour book |
Their day as the world's biggest band was yet to come.
While the Jets would abandon Shea for New Jersey's Meadowlands after the 1983 season, the ballpark continued on as home of the Mets and an occasional concert venue for another 25 years before being torn down and replaced.
Long Island native Billy Joel's two-night run in July 2008 closed out its musical history. In The Last Play at Shea, a documentary film recounting the stadium's role in rock, Sting revealed what he was thinking that rainy evening now 35 years ago, up on stage where the Fab Four once thrilled.
"I realized that you can't get better than this, you can't climb a mountain higher than this. This is Everest," he said. "I made the decision on stage that ok, this is it, this is where this thing stops, right now."
Though the tour continued on, The Police never made another album. Based on their five-LP canon, they made the Rock and Roll Hall of Fame in 2003. Four years later, they were joined by R.E.M. Joan Jett and the Blackhearts finally arrived in 2015.
* Including me and my pal, Eddie, whose idea it was to get tickets. Thanks Big Ed!
-- Follow me on Twitter @paperboyarchive
While the Jets would abandon Shea for New Jersey's Meadowlands after the 1983 season, the ballpark continued on as home of the Mets and an occasional concert venue for another 25 years before being torn down and replaced.
Long Island native Billy Joel's two-night run in July 2008 closed out its musical history. In The Last Play at Shea, a documentary film recounting the stadium's role in rock, Sting revealed what he was thinking that rainy evening now 35 years ago, up on stage where the Fab Four once thrilled.
"I realized that you can't get better than this, you can't climb a mountain higher than this. This is Everest," he said. "I made the decision on stage that ok, this is it, this is where this thing stops, right now."
Though the tour continued on, The Police never made another album. Based on their five-LP canon, they made the Rock and Roll Hall of Fame in 2003. Four years later, they were joined by R.E.M. Joan Jett and the Blackhearts finally arrived in 2015.
* Including me and my pal, Eddie, whose idea it was to get tickets. Thanks Big Ed!
-- Follow me on Twitter @paperboyarchive
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